Re Inventing Histories/Re Inventing Stories
Juni Salvador subdivides his Australia bring-backs, found objects and Philippine-themed curiosities brought into Australia…
Re Inventing Histories/Re Inventing Stories Read More »
Juni Salvador subdivides his Australia bring-backs, found objects and Philippine-themed curiosities brought into Australia…
Re Inventing Histories/Re Inventing Stories Read More »
“The lines, the circular motions, the spheres and all that is engulfing, encircling arching waves of patterns, spherical shapes…”
Concentric Heavens Read More »
Mark Salvatus’s solo exhibition at The Drawing Room asks about ways to relax.
Relaxation is a State of Mind Read More »
In presenting ten plank-like paintings for the exhibition,
the artist critiques the Western modernist trope of
minimalist paintings leaning on walls.
In a literal, allegorical, and abstract sense, The Promised Land
is an embodiment of a long-sought desire, a destination
where one’s hopes are realized on arrival.
“Everything We Don’t Know” by
Gene Paul Martin confronts the problems posed by the history
of painting…
Everything We Don’t Know Read More »
“Nearly every result [the quantum theorist] pronounces is about the probability of this or that… happening – with usually a great many alternatives.”
Artists such as Habulan, Co, Justiniani, Mallari, Esquillo, and De Chavez experiment on formalism or abstraction to truthfully dwell on a genuine search for artistic possibility.
The Drawing Room regards 14 young artists and their painterly visions, gestures, and language, that suggest the gradations of artistic process of an incoming generation of contemporary Filipino painters.
Young Filipino Painters Read More »