Gossamer
Colors annihilate.
Occupy: form and content.
Paint a head, a flower, a mountain, text.
A Heart Beating in the World
“The title is borrowed from Clarice Lispector’s novel Agua Viva, a reminder of the atmosphere by which these paintings were made…”
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Re Inventing Histories/Re Inventing Stories
Juni Salvador subdivides his Australia bring-backs, found objects and Philippine-themed curiosities brought into Australia…
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Concentric Heavens
“The lines, the circular motions, the spheres and all that is engulfing, encircling arching waves of patterns, spherical shapes…”
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Mark Salvatus at the 60th Venice Art Biennale
The exhibition involves an interdisciplinary process of sound material and field recordings, textile and indigenous weaving practices, and performative notation through video.
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Relaxation is a State of Mind
Mark Salvatus’s solo exhibition at The Drawing Room asks about ways to relax.
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Delirium
In presenting ten plank-like paintings for the exhibition,
the artist critiques the Western modernist trope of
minimalist paintings leaning on walls.
Promised Land
In a literal, allegorical, and abstract sense, The Promised Land
is an embodiment of a long-sought desire, a destination
where one’s hopes are realized on arrival.
Everything We Don’t Know
“Everything We Don’t Know” by
Gene Paul Martin confronts the problems posed by the history
of painting…
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