Exhibitions

The landscape is in fragments. Tree, sky, sun, water, and concrete. The fragmented form sets the motion of the series, mimicking the involuntary movement of the eye.

Let me count the ways in which we dwell. To dwell is to linger, to be sheltered, to be lost in thought.

“Eat All You Can” is a familiar phrase in Philippine restaurants, inviting patrons to indulge without restraint.

In the exhibition Sulsi at Bastidor (Mend and Frame / Mending and Framing), Napay pursues the idea of life or living and guidance or guiding.

In such a small space, at least by most gallery or exhibition standards, Kelli Maeshiro opens up a world of dialogue and expression with “Speak to me in a language I can hear.”

Printmaking is the process of transferring an image from a matrix such as wood or metal onto another surface such as paper.

“My style is where you see the individual and where a personality is communicated through actions, decisions, single objects and facts, where the whole draws together to form a history.” – Martin Kippenberger

No Thing Disappears Into Nothingness. When something is made, something is left out.

“The intimacy created from painting renders the artworks as postcards for the wandering soul—not quite sure when it is, or where you actually are—what abstraction home truly conveys”

In this new series of paintings, ranging from large to minuscule sizes, light swirls and ripples around the space of the canvas with varying intensity and color.