Exhibitions

In the exhibition Sulsi at Bastidor (Mend and Frame / Mending and Framing), Napay pursues the idea of life or living and guidance or guiding.

In such a small space, at least by most gallery or exhibition standards, Kelli Maeshiro opens up a world of dialogue and expression with “Speak to me in a language I can hear.”

Printmaking is the process of transferring an image from a matrix such as wood or metal onto another surface such as paper.

“My style is where you see the individual and where a personality is communicated through actions, decisions, single objects and facts, where the whole draws together to form a history.” – Martin Kippenberger

No Thing Disappears Into Nothingness. When something is made, something is left out.

“The intimacy created from painting renders the artworks as postcards for the wandering soul—not quite sure when it is, or where you actually are—what abstraction home truly conveys”

In this new series of paintings, ranging from large to minuscule sizes, light swirls and ripples around the space of the canvas with varying intensity and color.

Les Voyages de Bougainvilliers is a new series of paintings by Todd B. Richmond, conveying migrations of imagery that once had specific origins but are ubiquitous today.

“Impending Bloom” is embedded in Merino’s body of works and exhibitions under Algún día todo esto tendrá sentido.

In Art as Ownerless Objects, many of the objects Yugo Isaji creates are made using common consumer goods and daily-use products from everyday life. At first glance, his works could be mistaken for bricolage (appropriation or “borrowing”), the humanistic structuralism identified by Claude Lévi-Strauss. In the artist’s case though, the materials aren’t given some newly-appropriated