Ged Merino collects things, discarded intentionally or incidentally, and his history includes a cycle of migration and settlement, a movement of physical things. Through textile, the artist archives sentimentality, its communal and collective experience. Ged’s work is an attempt to make sense of a looming historical incongruence between what is lived, what remains and what must be remembered.
“Impending Bloom” is embedded in Merino’s body of works and exhibitions under Algún día todo esto tendrá sentido.
