At this Juncture. At this time; at this point; at this pause...

Dominic Mangila presents a series of figurative paintings that references stories of migration and labor of Filipino-Americans in the Manila Village in Louisiana in the 1920s and the 1930s and Japanese-American farmers interned during World War II who worked in the internment camp's flower nursery and onion farms in the Gila River Relocation Center in Rivers, Arizona and a sugar beet farm in Colorado.

Pam Yan Santos’ exhibition “Building things we know we may not know," an installation of mixed media paintings and objects, explores these connections between the gestures of building and the human condition of being in progress.

The Philippine art scene has always been forward-thinking in its exploration and criticism of contemporary society. In their practice, artists such as Manuel Ocampo, Jigger Cruz and Christina Lopez highlight a consideration and deliberation of art-making that grapples with the kind of imagery and concepts created.

Tolda or tent is a temporary or makeshift shelter held up by a pole or with the most rudimentary of posts. It can either be supported by a single pole or two, thrust on a ground. Tolda is also the fabric or covering supported by the poles. It is both ground and the structure it creates with such support.